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| | 100 Great Movies: 71-80 | |
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71. Exorcist One of a select group of pure horror films that rises above its normally absurd genre. This movie is not only frightening, it is thought-provoking with an Oscar-winning screenplay by William Blatty. Almost seminal in its influence. Memorable performances by Max von Sydow, Ellen Burstyn and Linda Blair. Friedkin directs. more... 72. Court Jester One the best comedies in cinema history and in looking over my list, one of only two to crack my one hundred list (bearing in mind that I have not seen any Chaplin or Keaton films yet). Delightful script with an outstanding, mind-boggling performance by Danny Kaye. more... 73. Henry V It might be heresy to suggest that Branagh outdoes Olivier in an adaptation of a Shakespeare play but I'll do it anyways! Branagh's line delivery is perfect, especially in the climactic Battle of Agincourt speech. Entire production is beautifully designed and expertly executed. And yes, I have seen Olivier's 1944 production. more... |
74. Unforgiven Through a purposeful "defamiliarization" of the Hollywood Western, Eastwood crafts an insightful, though flawed, drama that examines the nature of man (not humanity; it's an androcentric film). more... 75. Thin Red Line A deeply philosophical movie about war, directed by Terrence Malick. Contrasts nature and idyllic settings with violence, conflict and disruption. Excellent cinematography. more... 76. Zentropa Early Lars von Trier movie with a distinctive, volatile visual style, obviously inspired by Hitchcock. Experimental, perhaps pretentious, but utterly absorbing noir-type film. more... |
77. Dark City A synthesis of sci-fi and noir from visual stylist Alex Proyas. Ebert comments: "Dark City... is a great visionary achievement, a film so original and exciting, it stirred my imagination like Metropolis and 2001: A Space Odyssey... Not a story so much as an experience, it is a triumph of art direction, set design, cinematography, special effects--and imagination." more... 78. Empire of the Sun Perhaps Spielberg's most underrated film is only hampered by an overly intrusive, though beautiful, score. Great performances from John Malkovich and Christian Bale. Excellent cinematography. more... 79. Quills Often interpreted as a message movie advocating "freedom of expression," I interpret this film as an insightful, thought-provoking analysis of the human response to the presence of evil in the world, amidst a Christian worldview. Artistic values rate highly. Philip Kaufmann directs. more... 80. La Strada Fellini's most accessible movie is a poignant drama that invites feminist critique of its depiction of the brutality of male dominance and the terror of female helplessness, abuse and neglect. more... |
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Copyright © 1995-2005 Kenneth A. Ristau Anything on this Website that Somebody Else Doesn't Own is Mine. Comments to: website@anduril.ca |